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Contactless is an art exhibition by Felipe Pantone at albertz benda in New York City on view from July 16th through August 28th, 2020.

Many of the works that Pantone created for Contactless were intented for the viewer to touch and reshape by hand.

Adapting to support health guidelines that preclude physical interaction, Pantone has developed digital copies of the works in order to translate the physical experience into your device. Read more

About Felipe Pantone

Felipe Pantone [b. 1986, Buenos Aires, Argentina] lives and works in Valencia, Spain. Beginning his career as a graffiti artist at the age of twelve, he went on to receive a degree in Fine Art from University in Valencia. Recent exhibitions include Beyond the Streets New York (2019) and Los Angeles (2018) curated be Roger Gastman; Art from the Streets, ArtScience Museum, Singapore (2018); Chromadynamica Dimensional, Mesa Contemporary Arts Center, Mesa, AZ (2017); and Vitality and Verve at the Long Beach Museum of Art, Long Beach CA (2016).

For Pantone, his art is a meditation on the ways we consume visual information. Drawing inspiration from kinetic artists like Victor Vasarely and Carlos Cruz-Diez, Pantone's contemporary work produces the sensation of vibration as the viewer’s position changes in relation to the work. To achieve the desired effect, the artist utilizes modeling software that allows for 3D insights into a project, which canthen be translated into frescoes, murals, paintings, and sculptures giving tactile merit to what is occurring in the digital world.

About albertz benda

Founded in 2015 by Thorsten Albertz and Marc Benda, albertz benda is devoted to an international contemporary visual arts program featuring rediscoveries as well as introductions — from seminal figures in their field whose work warrants further exploration, to debut presentations of artists that are new to New York.

Felipe Pantone’s work is a collision of the energy in graffiti with the refinement of a contemporary studio practice that unlocks a new level of technical creativity using an ever-growing repertoire of tools and mediums.

— Roger Gastman, curator, filmmaker,publisher

I believe in finding new ways of digitizing the physical world as it is experienced through our devices. Why rely only on photography or video when there are new technologies available that can take us closer to the real experience?

— Felipe Pantone

Felipe Pantone Contacless
from july 16th through August 28th, 2020
New York City

albertz benda is thrilled to present Felipe Pantone: Contactless, the artist’s most ambitious New York exhibition to-date, on view from July 16th through August 28th, 2020.

In recent years, Pantone has been exploring manipulable sculptures and paintings. The interactive aspect stems from the artist's observation that information no longer flows in a linear fashion from established sources to consumers, but rather splinters into multiple channels. For example Twitter, Instagram, TikTok and other user generated content now informs traditional news and entertainment media, and vice versa.

Many of the works that Pantone created for Contactless were intended for the viewer to touch and reshape by hand. Adapting to support health guidelines that preclude physical interaction, Pantone has developed digital copies of the works on a WebGL app. This technology allows users to access accelerated 3D animations directly on standard browsers, without relying on plugins or installations.

As an artist whose output is firmly rooted in the tangible realm and who has always encouraged audience engagement, Pantone has produced a new interactive component that honors his initial concept:

“These days, we spend a lot of time behind our screens, I believe in finding new ways of digitizing the physical world as it is experienced through our devices. Why rely only on photography or video when there are new technologies available that can take us closer to the real experience? We're working with the cutting edge of web technology. These aren't mock-ups or 3D renders, but a way of faithfully experiencing how the artworks will function in real life through our mobile devices.”

albertz benda

515 W 26TH STREET
NEW YORK NY 10001 (212)
244-2579

info@albertzbenda.com

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Concept, art direction, and code by FPSTUDIO

All rights reserved © 2020

Subtractive Variability Dimensional 5
Size: 15.748 x 15.748 x 15.748 inches / 40 x 40 x 40 cm
Medium: UV paint on PMMA
Year: 2020
Ref: #SVD5

Chromadynamica Manipulable 7
Size: 39 3/8 x 31 1/2 inches / 100 x 80 cm Dimensions variable
Medium: UV paint on aluminum composite panel
Year: 2020
Ref: #CDM7

Planned Iridescence XT2
Size: 57 1/8 x 78 3/4 inches 145 x 200 cm
Medium: UV paint on PMMA
Year: 2020
Ref: #PIXT2

Subtractive Variability Dimensional 6
Size: 47 1/4 x 47 1/4 x 47 1/4 inches / 120 x 120 x 120 cm
Medium: UV paint on PMMA
Year: 2020
Ref: #SVD6

Chromadynamica Manipulable 8
Size: 1 3/8 x 84 5/8 inches 105 x 215 cm Dimensions variable
Medium: UV paint on aluminum composite panel
Year: 2020
Ref: #CDM8

Planned Iridescence 52
Size: 57 1/8 x 78 3/4 inches 145 x 200 cm
Medium: UV paint on PMMA
Year: 2020
Ref: #PI52

Optichromie 123
Size: 52 3/8 x 157 1/2 inches 133 x 400 cm (diptych)
Medium: UV paint on aluminum composite panel
Year: 2020
Ref: #OP123

Chromadynamica 115
Size: 59 x 39 3/8 inches / 150 x 100 cm
Medium: UV paint on aluminum composite panel
Year: 2020
Ref: #CD115

Chromadynamica 118
Size: 59 x 39 3/8 inches / 150 x 100 cm
Medium: UV paint on aluminum composite panel
Year: 2020
Ref: #CD118

Subtractive Variability Circular 8
Size: 47 1/4 Ø inches / 120 Ø cm
Medium: UV paint on PMMA
Year: 2020
Ref: #SVC8